“Sara has accentuated the fusion between subject and background taking photos blurred in a particular way by shaking the camera, where this movement is determined by the gesture that Chiara usually makes to explain the malaise she carries within herself”

Chiara was a project in which Sara Zamperlin, driven by her irrepressible curiosity, wanted to try out new things. After an editor commented that the frosted photographs should be regarded as works of art in themselves, she began to focus entirely on this aspect.
Beneath it all, one can discern her desire to expunge any kind of crisp, clear outline. To break out of the schemata so often imposed by our surroundings; to make the quintessence, whether of things or of people, flow. When translated into an image, this means merging the subject with the background and making them become one. Because we are not isolated beings, but separate individuals who relate to one another. That is why Sara has accentuated the fusion between subject and background taking photos blurred in a particular way by shaking the camera where this movement is determined by the gesture that Chiara usually makes to explain the malaise she carries within herself. The acid was thus the finishing touch to a work which is designed to seek after imperfection. And hence humanity.
Thus Sara subverts the very quintessence of the photograph by turning the still into an animation.